I'm Sarah and things that I like include feminism, video games, television, (web)comics and having excessively fervent emotions about fictional characters. Mostly that last one.
July 30th
4:28 PM
Via

Sansa as Rapunzel, the maiden trapped

Goddd I love the how this series uses and then subverts all the traditional archetypes associated with high medieval romantic literature. Like, GRRM just fucking LOVES to pull apart these patterns and prototypes and muck them all up and rub em all over your face like “here’s what this bullshit would be like in a more realistic world, turns out arthurian legends have really fucked up patriarchal politics and everything is super shitty lol.”
Sansa is the princess in the tower. Literally in the first book, more metaphorically in the second, locked up as a hostage, waiting for her prince to come, dreaming of someone to rescue her. She’s starts off as such a romantic, casting herself as the tragic heroine (and the pathetic Ser Dontos as her Florian) in some kind of heroic romance narrative. She’s naive and childish and idealistic and her character arc in the first book/season is all about her learning that the real world ain’t nothing like your songs and stories babe. The real world beats the romanticism and idealism out of her (your golden prince is a vicious petty shit, your white knight is a killer and a thug), but she wises up fast (girl is anything but stupid, haters to the left) and she survives and adapts and learns to lie with a smile. Gentility is her armour and courtly manners are her sword. When her white knight offers to rescue her she says no.
She isn’t a passive princess waiting in a tower anymore. She learned how to play the game and she’s gonna play it hard.

Sansa as Rapunzel, the maiden trapped

Goddd I love the how this series uses and then subverts all the traditional archetypes associated with high medieval romantic literature. Like, GRRM just fucking LOVES to pull apart these patterns and prototypes and muck them all up and rub em all over your face like “here’s what this bullshit would be like in a more realistic world, turns out arthurian legends have really fucked up patriarchal politics and everything is super shitty lol.”

Sansa is the princess in the tower. Literally in the first book, more metaphorically in the second, locked up as a hostage, waiting for her prince to come, dreaming of someone to rescue her. She’s starts off as such a romantic, casting herself as the tragic heroine (and the pathetic Ser Dontos as her Florian) in some kind of heroic romance narrative. She’s naive and childish and idealistic and her character arc in the first book/season is all about her learning that the real world ain’t nothing like your songs and stories babe. The real world beats the romanticism and idealism out of her (your golden prince is a vicious petty shit, your white knight is a killer and a thug), but she wises up fast (girl is anything but stupid, haters to the left) and she survives and adapts and learns to lie with a smile. Gentility is her armour and courtly manners are her sword. When her white knight offers to rescue her she says no.

She isn’t a passive princess waiting in a tower anymore. She learned how to play the game and she’s gonna play it hard.

July 14th
9:53 AM
Via

pantheracantus:

lamamama:

Basically what I hear whenever Joffrey’s on screen

so incredibly accurate

July 13th
5:52 PM
Via

gameofgifs:

I close my eyes, I see them up there. All of them. Standing there. Joffrey, the Queen…and my sister.

July 11th
12:51 AM
Via

the Stark family (green) → asked by flushwithcash

the Stark family (green) → asked by flushwithcash

June 27th
5:27 PM
Via
birdstump:

Stormborn, by Yasmine Putri

birdstump:

Stormborn, by Yasmine Putri

June 14th
11:49 PM
Via

derekvonevil:

pkpow:

tophats-sequinsuits:

walkingupsidedown:

Game of Thrones pairs Season 2. 

this art work is so perfect

 I just went aAooWOAOW at Ygritte and Poor Pretty Jon Snow

Game of Ships.

Real mad at GRRM for making me ship such fucked-up relationships.

June 8th
4:58 PM
Via
ybee:

you guys I just
the Hound rolled up Arya in a blanket burrito at night
I can’t- this book
someone help

ybee:

you guys I just

the Hound rolled up Arya in a blanket burrito at night

I can’t- this book

someone help

June 6th
12:59 PM
Via
12:48 PM
Via

this season on got: a summary

  • tyrion: L O L
  • petyr: where am i? we just don't know
  • jeyne: sad back story. in conclusion: volantis.
  • robb: eye-sex
  • catelyn: DIAPERS. BABIES. BREASTFEEDING. LADY PARTS.
  • stannis: oh god not another vagina
  • melisandre: enter vagina, stage right
  • shae: someone please free me from this story arc
  • sansa: what's a story arc??
  • cersei: MORE WINE
  • theon: i'VE MADE A TERRIBLE MISTAKE
June 4th
9:45 PM
Via
May 25th
1:18 PM
Via
  • Book!Cat: Ned, you must go to Kings Landing to help Robert and find out what happened to Jon Arryn!
  • HBO!Cat: Ned, stay here with me!
  • Book!Cat: <during the King in the North scene> Robb, let's trade for the girls and sue for peace. You can't bring your father back.
  • HBO!Cat: <during the same scene> ::silent::
  • Book!Cat: Look, Robb, I know you don't want to negotiate with the Lannisters but you have to give them something. Okay, those terms aren't exactly what I was thinking but you're the King.
  • HBO!Cat: ::strangely missing from the negotiation table::
  • Book!Cat: I don't care what you say, Robb, I'm not going home I'm staying right here by any means necessary. Also if you're going to negotiate with Balon Greyjoy you shouldn't give up our only hostage.
  • HBO!Cat: You can't trust Balon! I want to go home!
  • Book!Cat: Trying to forge an alliance with Renly Baratheon could be a good idea.
  • HBO!Cat: Okay, Robb, I'll go negotiate with Renly, but I really want to go home.
  • Book!Cat: <<discusses strategy and tactics with Renly>>
  • HBO!Cat: <<gets dismissed to her tent by Renly>>
  • Book!Cat: Releases Jaime after hearing about Rickon and Bran's "deaths", hoping to get back Sansa, who besides being her beloved daughter, is also a useful political piece (as Tywin *and* Robb would later note) and at that moment Robb's heir
  • HBO!Cat: Releases Jaime because all her children are held captive and she wants them back
  • Book!Robb: Forgives his mother because he has also done something "dishonorable"
  • HBO!Robb: LOL HOUSE ARREST
May 15th
9:21 PM
Can we talk about Catelyn Stark for a minute? Because holy shit she has rocketed up the list of my favourite characters in this show lately. She was flawless in Sunday&#8217;s episode.
I mean she has a screaming match with the lord whose son Jaime killed because she knows that if Jaime dies, this foul fucking man whom she loathes with every atom in her body, if he dies so do her daughters. She is constantly trying to get people to listen to her. But NO ONE EVER FUCKING LISTENS TO HER. Not Robb&#8217;s lords, not Robb himself half the time, not Stannis and Renly, not even the damn soldier guarding the cells.
And how can she fight for her land and her people and her family when no one will even listen? Because she can&#8217;t fight like men fight, she has to use her words. (For men the answer was always the same, and never farther away than the nearest sword. For a woman, a mother, the way was stonier and harder to know.) 
And there is so much sorrow in her (I am a creature of grief and dust), but she can&#8217;t for a second let herself feel it, indulge it, she can&#8217;t not be strong because while everyone is fighting to tear Westeros apart she feels like the only one trying to hold it together. And the only weapon she can use to do it is her love for her children and her wisdom and her empathy and her incredible force of will.
Jaime is right; this woman is a she-wolf, savage, feral. She has no other recourse.
This is what a woman&#8217;s courage looks like.

Can we talk about Catelyn Stark for a minute? Because holy shit she has rocketed up the list of my favourite characters in this show lately. She was flawless in Sunday’s episode.

I mean she has a screaming match with the lord whose son Jaime killed because she knows that if Jaime dies, this foul fucking man whom she loathes with every atom in her body, if he dies so do her daughters. She is constantly trying to get people to listen to her. But NO ONE EVER FUCKING LISTENS TO HER. Not Robb’s lords, not Robb himself half the time, not Stannis and Renly, not even the damn soldier guarding the cells.

And how can she fight for her land and her people and her family when no one will even listen? Because she can’t fight like men fight, she has to use her words. (For men the answer was always the same, and never farther away than the nearest sword. For a woman, a mother, the way was stonier and harder to know.)

And there is so much sorrow in her (I am a creature of grief and dust), but she can’t for a second let herself feel it, indulge it, she can’t not be strong because while everyone is fighting to tear Westeros apart she feels like the only one trying to hold it together. And the only weapon she can use to do it is her love for her children and her wisdom and her empathy and her incredible force of will.

Jaime is right; this woman is a she-wolf, savage, feral. She has no other recourse.

This is what a woman’s courage looks like.

12:07 PM
Via

winteriscoming-eventually:

And I thought we were done, but he said, “Turn back around.”


dyyiiinnnngg